Beauty into Ashes

It’s been quite a week or two for museums, climate warriors, and art. Once again eco-warriors have attempted to deface or destroy a work of art because they don’t feel people are doing enough to save the environment. The first thing that came to mind when viewing this and recent similar headlines is the short story The Smile by Ray Bradbury. In that story civilization is already destroyed and lost when art is being defaced. I guess the folks who have been busy in the past few weeks are just starting the artistic destruction early.

First off, I’d argue that a trip to a museum to see renderings of natural beauty is probably a good step towards climate awareness and a keener interest in whether or not there actually is anything we can do individually and collectively to prevent greater loss.

Secondly, what would these two young people rather the people in the museum be doing? What specifically are they demanding? How do they know what these people have or have not done towards climate change mitigation? The assumption seems to be people who have the ability to be in a museum instead of a workplace are likely to be more to blame for climate change? Is this a protest against climate indifference or wealth? Could these misguided protestors separate the two? Should they?

Fourth, their righteous indignation is incredibly arrogant. That’s not their fault, but the fault of their teachers and everyone else who has espoused or mouthed the mantra that the climate is changing, it’s entirely our fault, and it is therefore entirely preventable by us. Anyone who questions this mantra at all is harangued for denying the first part about the climate changing, and hardly ever is there any serious examination of the other two portions. Given even my rudimentary knowledge of geology and earth science, I’m aware the earth has gone through repeated cycles of comparative heating and cooling. Ice masses have advanced and retreated before, and we certainly either weren’t around (allegedly) or were not industrialized to the point we could possibly be blamed. Yet I never hear this discussed, either in semi-scientific articles for the masses, or in the destruction by young ideologues like these two.

Should we manage to alter the climate change, the world will still be significantly poorer for the loss of great art weaponized in an attempt to galvanize the general public to an unspecified goal via undetermined means. I don’t consider myself much of an art connoisseur, but it seems a great shame regardless of the outcome of the climate situation to sacrifice these valuable interpretations and reflections on the climate we are apparently losing.